Knitted Torpedos?

sculpture

Knit­ted Tor­pedo sculp­ture from the Tor­pedo Factory

Yes­ter­day we went to Alexan­dria in Vir­ginia to the Tor­pedo Fac­tory, which is, of course an old Tor­pedo Fac­tory which is now a con­verted space for Artist’s stu­dios and gal­leries. I like this sculp­ture and the paint­ing above because of the “mes­sage” it convey’s. Although, I must say it looks like a con­dom. Maybe that’s the pro­tec­tion against war?

It’s on the water­front maybe 20 or so min­utes from Wash­ing­ton DC in Old Town. Which is cer­tainly worth the effort–both Old Town and the Tor­pedo Factory!

Artists studio spaces at the Torpedo Factory

Artists stu­dio spaces at the Tor­pedo Factory

 

Gentle Things

Mixed media acrylic with lace and stitching

Gen­tle Things”, Mixed media acrylic with lace and stitch­ing, 30“x22”, © 2012 Belinda Chlouber

I recently fin­ished this piece inspired by my Grand­fa­ther Sweet’s poem “I Like Gen­tle Things”. My mother’s poems are far more visual with imagery and my grandfather’s with deep heart­felt feel­ings. It’s an inter­est­ing dif­fer­ence. At first it was hard to find images/inspiration in his poetry but now that I have “tuned” into the poems it seems like it’s flowing!

The translu­cent bird image and the flower on the right have excerpts from a short story my mother wrote “Woman not Born Beau­ti­ful”. Which I hope to get into a book for­mat some­time this year!

The dark cur­tain like form is lace with writ­ten stitch­ing of pieces of the poem. I hope I cap­tured the essence of the poem for it is one of my favorite!

I Like Gen­tle Things

I like gen­tle, stead­fast things,

Stars that twin­kle in the night,

Happy, balmy days of spring,

Moon that sheds a mel­low light,

Gen­tle eyes of heaven’s blue,

The quiet of a calm brow,

A kind heart that’s ever true,

Promises that need no vow,

And love that lingers on

Till life itself is gone.

 by Arthur Car­los Sweet, father to Carla Sweet Chlou­ber and grand­fa­ther to Belinda Chlouber

Wild & Gaudy

Mixed media monoprint

Wild & Gaudy”, 15“x14”, Mixed media mono­print, © 2012 Belinda Chlouber

 

I wanted a bit of inspi­ra­tion so I took a work­shop with Kala press in Berke­ley a cou­ple of weeks ago. I wanted to work with Inez Storer as she’s one of my favorite artists. She’s spunky and can be a bit prickly some­times, but I like that, it adds “zest” to the expe­ri­ence! I have a etch­ing press so look for­ward to see­ing more prints in the future!

I did this piece after the work­shop by tak­ing a print I didn’t feel quite worked but liked parts of and re-worked it into a new mixed media piece. The piece is in a show at The Main Gallery in Red­wood City right now in a show “New Year, New Work”. My grand­fa­ther Sweet’s poem inspired the work and the title! There was no title for the poem, but here it is;

You are like the beauty

of a quiet day in spring,

Like the clear sweet tunes

That nature’s song­sters sing.

 

Not the wild and gaudy brilliance

of the toss­ing prairie flowers,

But beauty of the violet

Hid­den in the shady bower.

by Arthur Sweet 1934

Sound and Images

Mixed media acrylic with Embroidery painting

Read my Lips”

Mixed media acrylic painting

Sign­ing”

These two paint­ings, “Read my Lips” and “Sign­ing” exam­ine the world of sight and sound. They are part of a series I did sev­eral years ago.

Sound.  It’s largely some­thing we take for granted on a day to day bases–it just is–it just is there for us. Over the last sev­eral years I have come to a dif­fer­ent under­stand­ing of sound and it’s place in our world. Thir­teen years ago I begin to notice the sounds were leav­ing. [Read more…]

Growing up on a Reservation

doll

My par­ents bought this Navaho weav­ing doll in Ari­zona when I was a child. My dad let me keep if for awhile.

When I was a lit­tle girl, six months old, my par­ents moved to Ari­zona where we lived on the Hopi and Navaho reser­va­tion until I was in the 3rd grade. We moved about what seemed to me every cou­ple of years so my mem­ory for time and place is blurred. What I was left with is a feel­ing for how things can be so different—and be okay. The Nava­hos and [Read more…]

The Poetry of Art

Life draw­ing I”, 8.5“x11”, Pen­cil on paper, © 2012 Belinda Chlouber

When I was vis­it­ing my father I found some of my art school sketch books and was reminded how much l loved life draw­ing. I can’t help but think “Wow, I did that when I was 20!” So I thought it was inter­est­ing when I found this arti­cle about David Hock­ney and Damien Hirst on Artinfo.com., “Hock­ney on Art; Poetry Vs. Craft.…..”.  The poetry in the art and craft of the art are, for me, everything!

My Bizarre Christmas tree

2011 Christmas Tree

2011 Christ­mas Tree

Every year I come up with some kind of solu­tion for the “Christ­mas tree dilemma”. This year I was inspired by a site I found about “artis­tic” Christ­mas trees. We have a fairly small liv­ing room so this com­pletely worked in the space. I did, though, have a moment of hor­ri­fi­ca­tion and regret when the gen­tle­man cut the bot­tom branches for me. I plan on sav­ing the tree for Christ­mas next year and doing some­thing fancy to the top, maybe cir­cu­lar rings or some such thing!

The play­ing cards are from Czecho­slo­va­kia, P E A C E.  We must remem­ber, “There’s always peace some­where and there’s a lot of peace everywhere!”—I said that! Happy Hol­i­days Everyone!

Sunday Evening—-April 14, 1991

"Sunday Evening"

Sun­day Evening”

I fin­ished it! This piece is inspired by my moth­ers poem, “Sun­day Evening—April 14, 1991″. My mom was a paci­fist and strug­gled to under­stand her place and com­plic­ity in war. I don’t think she appre­ci­ated it being glo­ri­fied. It was not long after she wrote this that the “war” on ter­ror did effect many peo­ple through 9/11. Had they declared the “war” won when she wrote this? [Read more…]

Floating cows

Photograph of cows

Float­ing cows”, © 2011 Belinda Chlou­ber, photograph

Early in the morn­ing I looked out my father’s win­dow to see cows float­ing on the hori­zon. All in a straight line mov­ing silently and effort­lessly, appear­ing to float. I imag­ine every morn­ing at the same time they do this as I  think they are going to have a drink of water. My mother wrote a poem about cows seem­ing to float and the bulls turned to look at me just as she describes  [Read more…]

Music of the Spheres

Mixed Media Painting

Music of the Spheres”, Mixed Media Paint­ing, 18“x24”, © 2012 Belinda Chlouber

This is one of the harder pieces for me to do. For a num­ber of rea­sons. Last year I lost my mother, Carla Chlou­ber, after a brief but long ill­ness she suf­fered from. She had writ­ten this poem years ago about her mother and father, Henry and Alyne Sweet, and how they had heard “The music of the spheres” the day before he passed away.  I think of it like being called “home”. I do really wish I knew if she heard “The music of the spheres” before she passed away.

I wanted to make the paint­ing “feel” like sound. I don’t know if I accom­plished it or not. I think so, to me it does any­way. Here’s the poem; [Read more…]